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Online Registration for Montclair Meuseum of Art Summer Camp

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Art museum in New Jersey, U.S.

Montclair Art Museum
Montclair Art Museum (Montclair, New Jersey).jpg
Established Chartered 1909; opened 1914
Location Montclair, New Jersey, U.Due south.
Blazon Art museum[1]
Collections Native American, American, Contemporary
Manager Lora Urbanelli
Public transit admission NJ Transit (bus and rails), Walnut Street Station; DeCamp Omnibus Lines
Website world wide web.montclairartmuseum.org

Montclair Art Museum

U.South. National Register of Historic Places

Montclair Art Museum is located in Essex County, New Jersey

Montclair Art Museum

Show map of Essex County, New Jersey

Montclair Art Museum is located in New Jersey

Montclair Art Museum

Show map of New Jersey

Montclair Art Museum is located in the United States

Montclair Art Museum

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Location iii Southward. Mount Avenue, Montclair, New Jersey
Coordinates 40°49′7″N 74°13′27″W  /  40.81861°N 74.22417°W  / 40.81861; -74.22417 Coordinates: 40°49′7″N 74°13′27″W  /  40.81861°Northward 74.22417°W  / 40.81861; -74.22417
Surface area 2.eight acres
Built 1913
Builder Ross, Albert Randolph
Architectural style Classical Revival
MPS Montclair MRA
NRHP referenceNo. 86002984[2]
Added to NRHP Nov xiv, 1986

The Montclair Art Museum (MAM) is located in Montclair, New Jersey, United States, a few miles west of New York Metropolis. Since it opened in 1914 as the showtime museum in New Jersey that granted access to the public and the start dedicated solely to art, it has been privately funded. Its collection of more than 12,000 items and its showroom programs are dedicated to American art and Native American art forms, as well as contemporary art in both those disciplines.

The museum sponsors a wide variety of programs in partnership with local organizations and maintains an extensive educational program for all age groups. For decades, MAM's Thou School of Art has provided opportunities for formal instruction to students at both amateur and professional levels.

Drove [edit]

The Montclair Art Museum (MAM) is 1 of the few museums in the United States devoted to American art and Native American art forms. The collection consists of more than 12,000 works. The American collection comprises paintings, prints, drawings, photographs, and sculpture dating from the 18th century to the present. The museum'south holdings of traditional and contemporary American Indian art and artifacts represent the cultural achievements in weaving, pottery, wood carving, jewelry, and textiles of indigenous Americans from seven major regions—Northwest Coast, California, Southwest, Plains, Woodlands, Southeast, and the Arctic; the work of contemporary American Indian artists is too represented.

The museum has the simply gallery in the earth dedicated solely to the work of the 19th-century American painter George Inness, who lived in Montclair from 1885 to 1894 and painted in the area. MAM's Inness paintings are, according to one critic, "the crown of the Montclair Art Museum's collection".[three] The intimate George Inness Gallery displays selected works from the museum's 21 Inness paintings, two of his watercolors, and an etching by the artist.[4] It too features the work of sculptor William Couper, who lived in Montclair for fifteen years while sculpting and for another thirty in retirement.

Artists represented in the collection include Tony Abeyta, Josef Albers, Milton Avery, Volition Barnet, Romare Bearden, Thomas Hart Benton, Carl Borg, Margaret Bourke-White, Alexander Calder, Ching Ho Cheng, Thomas Cole, Willie Cole, Stuart Davis, Willem de Kooning, Richard Diebenkorn, Elsie Driggs, Asher B. Durand, Thomas Eakins, Lee Friedlander, Arshile Gorky, Marsden Hartley, Robert Henri, Winslow Homer, Edward Hopper, George Inness, Ben Jones, Donald Judd, Michael Lenson, Helen Levitt, Roy Lichtenstein, Robert Longo, Whitfield Lovell, Human Ray, Thomas Manley, Knox Martin, Ma-Pe-Wi, Robert Motherwell, Dan Namingha, Alice Neel, Louise Nevelson, Tom Nussbaum, Georgia O'Keeffe, Sarah Miriam Peale, Rembrandt Peale, Charles Willson Peale, Philip Pearlstein, Maurice Prendergast, Oscar Bluemner, Ad Reinhardt, Mark Rothko, Morgan Russell, John Vocaliser Sargent, George Segal, Ben Shahn, Lorna Simpson, Jaune Quick-To-Encounter Smith, Joseph Stella, Kay WalkingStick, Andy Warhol, Max Weber, and James Abbott McNeill Whistler.

2020 Exhibitions [edit]

Animalia [edit]

One of MAM'southward exhibits since February of 2020 is Animalia past Frederico Uribe.[5] Animalia consists of over 60 different works, generally sculptures made of everyday objects, trash, and recycled materials.[six] The sculptures making upward the exhibit replicate nature, ranging from pieces as small as fish made of plastic bottles to a life sized tiger made of bullet shells.[5] Uribe's upbringing in Bogota, Colombia profoundly influenced his work. After witnessing and so much conflict in his early life, Uribe's more current works like Animalia aim to showcase how dazzler tin be made from destruction.[6]

Odyssey of the Venutian Soldiers [edit]

Virgil Ortiz's Odyssey of the Venutian Soldiers is a collection of diverse works including pottery, paintings, and sculpture inspired by Ortiz's Pueblo background that arrived at MAM in September of 2019.[7] Ortiz, a passionate story teller and science fiction fan, creates a narrative inspired past the Pueblo Revolt of 1680 that so carries the observer forward 500 years to 2180.[viii] The works themselves include a mural of the characters, pottery figurines with scenes painted on them, sculptures of armor, and more.[7]

Other electric current exhibits [edit]

  • Uncaged: Animals in the Drove by John James Audubon. Feb eight, 2020 - Baronial 8, 2021.[9]
  • Personal Landscapes. February 8, 2020 - November 29, 2020.[9]
  • Undaunted Spirit: Art of Native North America. April 8, 2018 - June 21, 2021.[9]
  • George Inness: Works in the Collection. November 12, 2018 - August xv, 2021.[9]

History [edit]

The inflow of the railroad in Montclair in the 1830s transformed a rural agronomical hamlet into a prosperous suburban community, with a rail link to New York that was too expensive for the working class that traveled past street cars and trolleys.[10] Montclair's arts community centered on landscape painter George Inness, who visited for several seasons beginning in 1878 and made information technology his home from 1885 until he died in 1894,[11] when the New York Times described Montclair as "the home of more than prominent artists and wealthy art connoisseurs, probably, than any other place in New-Jersey."[12] Others had preceded him equally early on as the 1860s, when illustrators Harry Fenn and Charles Parsons commuted past rail to their New York City studios, just as Inness and others did in the decades that followed.[11] They were year-round resident-commuters and varied in their stylistic approaches, dissimilar the impressionists that abandoned city life to gather for the summer in the "art colonies" at the end of the 19th century in Cos Cob and One-time Lyme, Connecticut, and New Hope, Pennsylvania.[13] Charles Eaton painted in a style much like that of Inness[13] and Frederick Judd Waugh devoted himself to seascapes,[14] while painter Henry Rankin Poore preferred a "workaday realism " in subject and texture of brushwork and his colleague Frederick Ballard Williams adopted a "more rough-hewn and turbulent grade".[11] Walter and Emilie Greenough worked every bit stained-drinking glass designers in the studio of John LaFarge, who lived in Montclair for a time every bit well.[13] Sculptors included Jonathan Scott Hartley, Inness's son-in-police force, and William Couper.[13] [a]

The town created a Village Improvement Society in 1878, superseded by a Municipal Art Committee in 1908, to beautify Montclair and preserve the charm of a country town.[15] The Commission's head was William T. Evans, an Irish immigrant dry-goods magnate who had acquired the Inness estate in 1900.[sixteen] Between the early 1880s and 1913, Evans amassed a collection of more than 800 American paintings, by far the largest collection of American fine art before Earth War I. In 1907, he donated several dozen works to the National Gallery of Art in Washington, D.C.,[17] and grew that number to 160 past the fourth dimension of his death in 1918.[xviii] In 1909, Evans offered to donate 26 oil paintings to the boondocks of Montclair on condition that it provide a fireproof gallery infinite to house and display them.[19] : 25 The proposal was defeated in a referendum in 1910.[19] : 28

In response to that rejection, on Dec 8, 1910, the Municipal Fine art Commission transformed itself into the Montclair Art Association and proposed to create and manage an fine art gallery without government support. Raising funds yet proved difficult until another Montclair resident, Florence Rand Lang (1861–1943), agreed to deport most of the expense and her souvenir of $50,000, much of information technology for the purchase of the site, transformed the project from a gallery into a museum.[20] [b] She had arrived in Montclair from Massachusetts as a teenager in 1873. Her initial donation was the first of many that totaled more than than $250,000 over the next 30 years, plus $200,000 in her volition and more from her estate.[22] [c] She was heir to much of the Rand family fortune, clustered by her father Jasper Rand (1837–1909) and bachelor uncle Addison C. Rand (1841–1900), who together had founded Rand Drill Visitor in 1871.[24] [25] [d]

Needing a defended structure to house the collections, museum trustee Michel Le Brun hired Albert R. Ross to blueprint a neoclassical edifice. Ross had worked on several Carnegie libraries and the Pueblo Canton Courthouse (1908–12) in Colorado.[due east]

When the museum opened on Jan xv, 1914, it was the commencement museum in New Bailiwick of jersey that granted access to the public and the first dedicated solely to art.[33] On the circular lawn in forepart of the museum's entrance, the founders placed a statuary sculpture by Hermon Atkins MacNeil, The Sun Vow, another gift from Evans. It remains there as a signature slice for the museum, blending Native American and American themes.[f] At its opening the museum had ii collections gifted by its principal organizer, Evans, and its principal funder, Lang. Evans' donation of American art included 2 sculptures and 54 paintings, among them works by George Inness, Ralph Albert Blakelock, and Childe Hassam. Lang donated a drove of Native American art clustered past her mother, Annie Valentine Rand. The Rand Collection's several hundred objects included baskets, clothing, jewelry, and household items.[19] : 25, 28

The museum's holdings have expanded past ways of acquisitions and donations. In 1922, the museum invited Montclair residents to vote for their favorite amid 25 works for conquering. The museum'due south fine art committee overrode the winning piece of work by the impressionist Daniel Garber and instead purchased a work by the insufficiently avant-garde Arthur Bowen Davies, Meeting in the Forest (1900), a depiction of nudes in a landscape in the Symbolist style.[35] [36] In the 1930s the museum was less open to modernists,[37] and in the 1940s it tried to counter that reputation by having works for its annual exhibit of local artists' work selected by ii juries, traditional and modern, a process abased when artists objected to having to characterize themselves in such a fashion.[38]

The edifice has since expanded along with the collection. The museum grew with additional gifts from Lang that allowed the forepart portico and mezzanine to exist completed in 1924 and a new E Wing added in 1931 to house the Rand Collection. In the 1950s the loftier-ceilinged North Gallery was divided horizontally.[39] The most recent renovation by architectural business firm Beyer Blinder Belle in 2000-2001 added a new fly that doubled the museum'southward square footage.[forty]

To mark its 75th anniversary, MAM published Three Hundred Years of American Painting: The Montclair Art Museum Collection. It provided detailed entries for 538 paintings, detailed give-and-take of 32 of them, and a fix of thematic essays.[41] In 1999, MAM collaborated on American Tonalism: Selections from the Metropolitan Museum of Art and the Montclair Fine art Museum.[42]

In January 2009, the museum announced it had transferred near of its LeBrun Library to the Harry A. Sprague Library at Montclair State University, a public establishment that accepts library cards from public libraries in Essex and Passaic counties.[43] [g]

On occasion, MAM has mounted exhibits that bridge its involvement in gimmicky and Native American art. A 2001-2 exhibit explored Albert Bierstadt'due south delineation of encounters between European settlers and Native Americans, using its collection of Indian fine art to create conversations with ii monumental Bierstadt oils.[46] In 2005, it presented "Roy Lichtenstein: American Indian Encounters" to explore a 20th-century American artist's fascination with and employ of motifs from Native American art to critique their clichéd use by before artists. It included a Lichtenstein parody of Bierstadt, a variation on the Indian head nickel, and attempts to incorporate Indian symbolism into cubist and surrealist imagery.[47]

MAM besides features exhibits that highlight its region. It participates with other institutions and the New Jersey State Quango on the Arts in New Jersey Arts Annual: Fine Arts, which develops juried exhibitions of works by local artists. For instance, equally role of that plan, in 2012 MAM presented 13 works that explored engineering and "sampling, appropriating and remaking older artworks" in an exhibit called "New Media: New Forms".[48] In 2014, "Robert Smithson's New Jersey" explored how the creative person's early on exploration of the landscape and excavations about Paterson and Rutherford, New Bailiwick of jersey, inform Robert Smithson's later collages and state art projects. I critic wrote in The New Yorker: "This might seem similar just more than hopeful boosterism by a Garden State that exists in the shadow of a Big Apple tree, except that it's true."[49]

In 2009, the museum and the Baltimore Museum of Art organized the exhibition "Cézanne and American Modernism," with 131 items, including 18 works by Cézanne. In a news release, MAM called the testify "the largest, most ambitious exhibition in the 95-twelvemonth history of the museum." Afterwards appearing in Montclair, the exhibition traveled to the Baltimore and to the Phoenix Fine art Museum.[50]

As its centennial year approached, MAM undertook a fundraising campaign to double its endowment to $20 million.[51] It as well mounted an exhibition of gimmicky sculpture based on the gifts of New Jersey resident Patricia A. Bell over the last xx years to underscore its commitment to the contemporary arts scene.[52] To mark its centenary in 2014, on the ceremony appointment, it lit a new installation past Spencer Finch, Yellow, that filled the windows on the first level of the museum's facade with a soft glow that suggests someone is dwelling house, countering in some measure out the formality of the architecture.[53] [54]

Other programs [edit]

The museum'southward educational programs serve a wide public, from toddlers to senior citizens. Collaborations with numerous cultural and customs partners bring artists, performers, and scholars to the museum on a regular basis. MAM's Yard School of Art is a regional art school offering an array of classes for children, youth, adults, seniors, and professional artists.[ane]

In the summer of 2014, MAM launched a new community outreach plan chosen the Art Truck, using an ice cream truck refurbished with funds from a grant from the Partners for Wellness Foundation. A pilot program in its first yr, the Art Truck brought art instructors and supplies to conduct open studio fine art classes at sites in several New Jersey counties, including town pools, senior centers and assisted living facilities, local festivals, and farmers markets.[55] [56]

See too [edit]

  • National Register of Historic Places listings in Essex Canton, New Jersey

Notes [edit]

  1. ^ Realist painter George Bellows was, dissimilar the others, only a summer resident.[xiii]
  2. ^ The Montclair Fine art Clan continued under that proper name until 1962 when it adopted the proper name Montclair Art Museum.[21]
  3. ^ Her philanthropy ranged from several institutions on Nantucket to Montclair Loftier School and Scripps College in Claremont, California.[23]
  4. ^ Three of her younger siblings had died by 1892.[26] Her uncle Addision died in 1900,[27] her father Jasper in 1909.[28] Her female parent, already feeble, traveled to Italy and died in Milan in 1907.[29] She was cached in the Protestant Cemetery in Rome.[30] Florence's youngest and final remaining sibling died in 1909 at age 35 in Utah, where he was recuperating from pneumonia.[31]
  5. ^ Ross later won the design competition for the Milwaukee Canton Courthouse in 1927, a competition that Frank Lloyd lost with some amusement.[32]
  6. ^ The work depicts a sociology scene that even the sculptor admitted was dubious: a Sioux brave assesses a younger tribe member's endeavor to prove himself by shooting an arrow directly at the sun.[34]
  7. ^ Co-ordinate to a 1999 account: "In 1913 the museum received a bequest from the estate of Michel LeBrun for the construction of a library and forty volumes from his library for the LeBrun Library which opened in 1916, overseen by Michel's widow Maria Olivia LeBrun. In 1917, Michel's brother Pierre LeBrun, also an architect, donated an boosted 100 volumes. Since the Montclair Art Museum'due south drove is express to American fine arts and Native American art, the LeBrun Library's research materials are similarly restricted, for the nigh part, to these same fields. The LeBrun Library has been and nonetheless is the foremost fine art reference source in this express field in the Country of New Bailiwick of jersey. The library'southward holdings for its 84-year existence have increased more than one-hundred fold to some xiv,000 books, plus some 5000 volumes of spring periodicals, 136 drawers of vertical file cloth on American artists, a drove of 20,000 slides, and well-nigh 8000 bookplates."[44] [45]

References [edit]

  1. ^ a b Montclair Art Museum: About, ARTINFO, 2008, retrieved July 21, 2008
  2. ^ "National Register Information System". National Register of Historic Places. National Park Service. July 9, 2010.
  3. ^ Schwabsky, Barry (February xvi, 1997). "A Haven for Creative Talents, Then and At present". New York Times . Retrieved February 24, 2015.
  4. ^ Web page titled "George Inness Gallery" at the Montclair Fine art Museum website, retrieved December 18, 2012
  5. ^ a b "Federico Uribe: Animalia | Montclair Art Museum". www.montclairartmuseum.org . Retrieved Oct 28, 2020. {{cite web}}: CS1 maint: url-condition (link)
  6. ^ a b "Federico Uribe Fine art". Retrieved October 28, 2020. {{cite web}}: CS1 maint: url-status (link)
  7. ^ a b "Virgil Ortiz: Odyssey of the Venutian Soldiers | Montclair Art Museum". www.montclairartmuseum.org . Retrieved October 30, 2020. {{cite web}}: CS1 maint: url-condition (link)
  8. ^ "ABOUT VO". Virgil Ortiz Creations . Retrieved October 30, 2020. {{cite web}}: CS1 maint: url-status (link)
  9. ^ a b c d "Exhibitions | Montclair Art Museum". www.montclairartmuseum.org . Retrieved November two, 2020. {{cite web}}: CS1 maint: url-status (link)
  10. ^ Schwartz, Joel (1998). The Development of New Bailiwick of jersey Society. Trenton, N.J.: New Jersey Historical Commission. pp. 40–2.
  11. ^ a b c Schwabsky, Barry (February 16, 1997). "A Haven for Creative Talents, So and Now". New York Times . Retrieved March 10, 2015.
  12. ^ "Loan Exhibition at Montclair". New York Times. March 10, 1894. Retrieved March x, 2015.
  13. ^ a b c d e Raynor, Viven (December 27, 1981). "The Magnet of Montclair". New York Times . Retrieved March 10, 2015.
  14. ^ Carlisle, Robert D.B. (1982). A Precious stone in the Suburbs: The Montclair Art Museum. Montclair, Due north.J.: Montclair Art Museum. pp. 19–20.
  15. ^ Carlisle, Robert D.B. (1982). A Jewel in the Suburbs: The Montclair Art Museum. Montclair, Northward.J.: Montclair Art Museum. p. sixteen.
  16. ^ Carlisle, Robert D.B. (1982). A Jewel in the Suburbs: The Montclair Fine art Museum. Montclair, Northward.J.: Montclair Art Museum. pp. 22–5.
  17. ^ Rathbun, Richard (1909). The National Gallery of Art: Department of Arts of the National Museum. Washington: Authorities Printing Function. pp. 115ff. Retrieved February 27, 2015.
  18. ^ "William T. Evans, Art Collector, Dies" (PDF). New York Times. November 26, 1918. Retrieved February 27, 2015.
  19. ^ a b c Carlisle, Robert D.B. (1982). A Jewel in the Suburbs: The Montclair Art Museum. Montclair, N.J.: Montclair Art Museum.
  20. ^ Carlisle, Robert D.B. (1982). A Precious stone in the Suburbs: The Montclair Art Museum. Montclair, North.J.: Montclair Art Museum. pp. 26–vii.
  21. ^ Carlisle, Robert D.B. (1982). A Precious stone in the Suburbs: The Montclair Art Museum. Montclair, N.J.: Montclair Art Museum. p. 29.
  22. ^ Carlisle, Robert D.B. (1982). A Jewel in the Suburbs: The Montclair Fine art Museum. Montclair, Northward.J.: Montclair Art Museum. pp. 25, 81.
  23. ^ "Mrs. Henry Lang, A Patron of the Arts" (PDF). New York Times. February 6, 1943. Retrieved February 25, 2015.
  24. ^ "Addison C. Rand" (PDF). New York Community Trust. Retrieved February 25, 2015.
  25. ^ Rand, Florence Osgood (1898). A Genealogy of the Rand Family in the United States. NY: The Republic Printing. p. 86ff.
  26. ^ Rand, Florence Osgood (1898). A Genealogy of the Rand Family in the Usa. NY: The Republic Printing. p. 120.
  27. ^ "Addison C. Rand" (PDF). New York Times. March xi, 1900. Retrieved February 27, 2015.
  28. ^ "Obituary Notes" (PDF). New York Times. July nineteen, 1900. Retrieved February 27, 2015.
  29. ^ "Obituary Notes" (PDF). New York Times. Oct 31, 1907. Retrieved February 25, 2015.
  30. ^ "Protestant Cemetery, Rome: Rock 2153". Databank . Retrieved Feb 27, 2015.
  31. ^ "Jasper Rand" (PDF). New York Times. April 1, 1909. Retrieved February 27, 2015.
  32. ^ Wright, Frank Lloyd (1943). Frank Lloyd Wright: An Autobiography. Duell, Sloan and Pearce. p. 358. ISBN9780764932434.
  33. ^ Carlisle, Robert D.B. (1982). A Jewel in the Suburbs: The Montclair Fine art Museum. Montclair, N.J.: Montclair Art Museum. pp. 5, xiv.
  34. ^ "The Lord's day Vow, 1899". Metropolitan Museum of Fine art. Retrieved February 27, 2015.
  35. ^ Carlisle, Robert D.B. (1982). A Gem in the Suburbs: The Montclair Art Museum. Montclair, N.J.: Montclair Art Museum. p. 7.
  36. ^ Charlotte Moser, "Davies, Arthur B." in Joan K. Marter, ed., The Grove Encyclopedia of American Art, Book i, 25-half dozen
  37. ^ Carlisle, Robert D.B. (1982). A Jewel in the Suburbs: The Montclair Fine art Museum. Montclair, N.J.: Montclair Art Museum. pp. 69, 72–3.
  38. ^ Carlisle, Robert D.B. (1982). A Gem in the Suburbs: The Montclair Art Museum. Montclair, North.J.: Montclair Fine art Museum. p. 88.
  39. ^ Carlisle, Robert D.B. (1982). A Jewel in the Suburbs: The Montclair Art Museum. Montclair, Northward.J.: Montclair Art Museum. pp. eight, 32, 36, 46, 56–seven, 127.
  40. ^ D'Agnese, Joseph (November iv, 2001). "Big Dreams for the Montclair Art Museum". New York Times . Retrieved February 13, 2015.
  41. ^ Marilyn S. Kushner, ed., Three Hundred Years of American Painting: The Montclair Art Museum Collection (The Academy of Chicago Press), reviewed by Elinor Nacheman in Art Documentation: Journal of the Art Libraries Society of North America, vol. nine, no. 2 (Summer 1990), p. 112; available online
  42. ^ Kevin J. Avery and Diane P. Fischer, eds., American Tonalism: Selections from the Metropolitan Museum of Art and the Montclair Art Museum (Montclair Art Museum, 1999), reviewed by Martin Hopkinson in The Burlington Magazine, vol. 142, no. 1168 (July 2000), p. 453; available online
  43. ^ "Montclair Fine art Museum - LeBrun Library". Sprague Library Digital Bookplates. Montclair State University. Retrieved Feb 13, 2015.
  44. ^ Edith Anderson Rights, "Montclair Fine art Association", Libraries & Civilisation, vol. 34, no. 3 (Summer 1999), 278-281
  45. ^ "Montclair Art Association". Bookplate Archive. University of Texas At Austin School of Information. Retrieved Feb 13, 2015.
  46. ^ Zimmer, William (December thirty, 2001). "In Montclair, a Controversial View of American History". New York Times . Retrieved February 24, 2015.
  47. ^ Glueck, Grace (December 23, 2005). "A Pop Creative person's Fascination With the Kickoff Americans". New York Times . Retrieved February 24, 2015.
  48. ^ Schwendener, Martha (June 29, 2012). "Finding Inspiration in a Borrowed Past". New York Times . Retrieved March 7, 2015.
  49. ^ Sullivan, Robert (June 18, 2014). "The Source of Robert Smithson'due south Spiral". The New Yorker . Retrieved March 6, 2015.
  50. ^ "Cézanne and American Modernism". Yale University Press . Retrieved February 18, 2015. Published in conjunction with the exhibit: Gail Stavitsky and Katherine Rothkopf, eds., Cézanne and American Modernism (Yale Academy Press, 2009)
  51. ^ "Montclair Fine art Museum Retains Ghiorsi & Sorrenti as Campaign Counsel". Ghiorsi & Sorrenti. Retrieved Feb 24, 2015.
  52. ^ McGlone, Peggy (September 29, 2013). "Montclair Art Museum celebrates 100th anniversary with new sculpture, exhibits". NJ.com. Retrieved Feb 24, 2015.
  53. ^ Ebbels, Kelly (January nine, 2014). "At the Montclair Art Museum, it's lights on for the party". Montclair Times . Retrieved February 13, 2015.
  54. ^ "Montclair Fine art Museum Turns 100". NJTVonline.com. Jan 10, 2014. Retrieved February thirteen, 2015.
  55. ^ Nutt, Pecker (July 13, 2014). "Museum puts art on wheels". myCentralJersey.com. Retrieved March 2, 2015.
  56. ^ Janulis, Tina (July nine, 2014). "Honk if Yous Love Art: MAM Art Truck Pulls into South Orangish". The Village Green . Retrieved March 2, 2015.

External links [edit]

  • Montclair Fine art Museum: official site
  • New Jersey Historic Sites Inventory, May 24, 1985

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Source: https://en.wikipedia.org/wiki/Montclair_Art_Museum

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